Don Quixote and Wanda Landowska: bells and Pleyels

Don Quixote and Wanda Landowska: bells and Pleyels

Source :

• Early Music [ 0306-1078 ] ; 2005.

English descriptors

• Entity :
  • org : France and Italy, Germany and Italy, Germany, Italy and Flanders, Music and Musical Instruments, Musical Instruments, National Archives, Kew, London, Portugal and Spain, Spain, Scarlatti, United States of Falla, Yale University.
  • pers : Adlung, Alexis Roland-Manuel, Andreas Stein, Arnold Dolmetsch, Auguste Wolff, Barbara Attie, Boalch, C. Ahrens, C. Schmidt, Camille Pleyel, Camille Saint-Saens, Carlo Broschi, Catarina Torres, Charles Burney, Collection, D. H. Boalch, D. Krickeberg, D. Restout, Diane Pontius, Diego Fernandez, Domenico Scarlatti, Don Carlo, Don Gayferos, Don Quixote, Emanuel Bach, Farinelli, Federico Garc, Ferdinand, Francis Poulenc, Francisco Salinas, G. Kinsky, G. Klinke, Gaspar Sanz, Gilbert Trouflaut, H. Henkel, H. Rase, Heinrich Grabner, Herald Tribune, Howard Schott, Ignace Pleyel, J. Barnes, J. Marlin, Jakob Adlung, James Davis, Janet Goldwater, Jean Jacques, Jean-Claude Battault, Joachim Swanen, Johann Adolf, Johann Gottlob, Johann Lorenz, John Geib, John Haward, John Rutherford, Joseph Kirkman, Joseph Merlin, Ludwig Hellen, Luisa Morales, M. Latcham, Manuel de Falla, Maria Barbara, Maria Helena, Michael Christoforidis, Michael Jakob, Michael Latcham, Michael Mietke, Miguel de Cervantes, Octave Swell, P. de Wit, Pascal, Pascal Taskin, Paul Dukas, Paul de Wit, R. Kirkpatrick, Rafael Puyana, Robert Stodart, S. Cappelletto, Schweitzer, Sebastian Bach, Stefano Fiuzzi, Thomas Mace, Von Erfindung, Wanda Landowska, Willem Mengelberg, William Byrd.
  • place : Aranjuez, Augsburg, Berlin, Bern, Bologna, Brussels, Edinburgh, Europe, Florence, France, Germany, Granada, Herne, Italy, Leipzig, Lisbon, London, Lyon, Madrid, Munich, Naples, New Haven, Paris, Poland, Portugal, Russia, San Pietro, Seville, Spain, Switzerland, The Hague, Verona, Vienna, York.
• Teeft :
  • Adlung, Bach, Bach harpsichord, Barbara attie, Carlo broschi, Cembalo, Cervantes saavedra, Charles burney, Domenico scarlatti, Early music, Early music february, Einige beobachtungen, Emperor charlemagne, Exposition universelle internationale, Falla, Farinelli, February, First part, First performance, First place, First stage performance, First time, First world, Grand piano, Gustave lyon, Hammer action, Hard leather, Harpsichord, Harpsichord part, Hass, Hieronymous, Hieronymous hass, Historical harpsichord, Historical instrument, Historical precedent, Johann, Johann ludwig hellen, John joseph merlin, Keyboard, Keyboard music, Kirkman, Landowska, Leather plectron, Lower keyboard, Lower manual, Many english harpsichord, Maria barbara, Master puppet show, Merlin, Metal frame, Michael latcham, Middle keyboard, Modern piano, Morris steinert, Musica, Musica mechanica organoedi, Musical instrument, Musikalischen gelahrtheit, Musikhistorisches museum, Nasal sound, National archive, Normal pitch, Octave, Octave higher, Other unison, Pedal, Period instrument, Piano action, Piano forte, Pizzicato effect, Plectron, Pleyel, Pleyel firm, Pleyel harpsichord, Pleyel instrument, Queen maria barbara, Quill plectron, Quilled jack, Quixote, Revue pleyel, Right instrument, Same disposition, Scarlatti, Second part, Smooth side, Spanish court, Spanish harpsichord, Taskin, Timbre, Unison, Up keyboard, Up manual, Wanda, Wanda landowska, Wilhelm heyer.

Abstract

• https://api.istex.fr/ark:/67375/HXZ-LVZDVV0N-K/fulltext.pdf

Affiliations:

• Pays-Bas

Links toward previous steps (curation, corpus...)

• to stream Main, to step Corpus: 000920
• to stream Main, to step Curation: 000864

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